Learning to Play

Salve, sodale!

Thanks for your interest in Ars Magica! We, the Ars Magica fan community, welcome you. We hope you will enjoy the game as much as we do.

Why Ars Magica?

If you're unsure about whether to give Ars Magica a try, here are some resources explaining why the game is so great:

Why Play Ars Magica? (Podcast)

Episode 1 of the Arcane Connection podcast discusses the unique features of the game (30 minutes).

Project: Redcap's Ars Magica page

Our Ars Magica page explains what's different and special about this game.

Obtaining the Rules

If you don't already have a copy of the Ars Magica rule book, the good news is that you don't have to buy one. As explained on the Fourth Edition page, you can download a PDF of the Fourth Edition rule book for free. You can get other free stuff for Fourth Edition, including the introductory scenario Promises, Promises, from Atlas Games's Fourth Edition Web page.

Fifth Edition is generally considered better, so you may want to consider upgrading to the "paid version" sooner rather than later. The publisher's Fifth Edition web page has several free resources for you, including a sample covenant.

You can get started with just the core rules -- which might be a good idea, to keep things simple. Once you've learned the basics, if you want some guidance on what to buy next, please refer to:

• Buying Guide
• List of products by edition

What You Need to Play

• Two or more players. One player acts as the Storyguide and the other(s) will have one or more player characters each. Ars Magica plays well with just one player and a storyguide, and is more fun if you can find two to four people to play player characters. With more than five players, you might find that the complex mechanics make the game flow slowly compared to other RPGs. Andrew Gronosky (talk) 09:57, 2 January 2016 (MST)
• Ten-sided dice. Three per player is a good number.
• character sheets, note paper, and pencils.
• Everyone who is playing a magus needs a copy of the rule book. All players must use the same edition of the rules; ArM4 and ArM5 are both playable, but they're not similar enough to be compatible. Players who have grogs or companions might be able to get by sharing a copy of the rules.

Character Creation

Main article: Character Creation

Unlike most RPGs, each player will eventually have more than one character: troupe style play is the norm, and one of the things that makes Ars Magica special. For your first story, have everyone play just one character each; they can make additional characters later and introduce them gradually as the saga develops.

Each player should choose whether to play a magus, companion, or grog.

Magus

A magus is a powerful wizard, much stronger than a starting wizard character in other fantasy games. Magi have important limitations. A starting magus is good at very little except magic, and needs a companion or grog to help with non-magical problems, including fighting. Magi have a lot of trouble gaining strangers' trust because of The Gift -- the inner power that lets them cast spells also makes mundane people ill at ease. Therefore, a magus usually travels with one or more friends or servants who can do most of the talking. Magi are also demanding to play, because they require learning both the magic rules and the complex society of the Order of Hermes (though you can introduce the Order of Hermes in a later story). It is perfectly acceptable, and can be a good way to learn, for one player (the one who has spent the most time reading the rule book!) to play a magus in the first story, and the other players to start with grogs and companions. Andrew Gronosky (talk) 09:57, 2 January 2016 (MST)

Companion

Companions are excellent choices for beginning players because they are simpler to play than magi, but are (or can be) the social equals of magi and have lots of freedom and opportunity to influence the story. You can start with a straightforward companion concept such as a knight, merchant, noblewoman, or minstrel; or, to have some magic powers without the investment of playing a full magus, choose one of the supernatural Virtues for your companion.

Grog

Grogs are servants of the magi, including soldiers and bodyguards. They are supporting characters who usually don't have as much backstory or independent motivation as the magi and companions. Some newcomers balk at playing a grog because the grog is supposed to obey the magi and seems to have less influence over the story. That impression isn't entirely accurate; see the grog article for some tips on how to play them. Grogs are good starting characters for players who enjoy combat or those who want to explore roleplaying characters with low social status within Mythic Europe.Andrew Gronosky (talk)

Simplifying Character Creation

• Don't be shy about using the pre-generated characters in the rule book for your first game. Creating magus and companion characters is time-consuming. You can play your first story as a one-shot and retire the characters in some way: perhaps that first story is a prologue and the main characters of your saga are the apprentices of those first characters, 20 years in the future.
• You can find more premade characters online.
  • The covenant of Semita Errabunda on Atlas Games' Ars Magica Fifth Edition page (scroll down to the bottom) has pregenerated magi, companions, and grogs.
  • Many fan sites on our Internet Site Index have premade characters posted -- be sure to check whether they were made using ArM5, ArM4, or even ArM3 rules.

Additional Advice on Character Creation

• Character generation

Tutorials on the Web

• Ars Magica: A Simplified Introduction by Timothy Ferguson
• Magus design for new Ars Magica players Timothy Ferguson's Games From Folktales podcast episode/blog
• Running Ars Magica – advice for new story guides, part one by Chris Jensen-Romer

Advice: New to Ars Magica

Discussion thread on the Atlas Games Ars Magica forums New to Ars Magica

• Highlights:

Tellus,

"Don't Panic!"

Raccoonmask,

"As a new player/GM, don't be afraid to get things wrong to keep the game moving. If you find out you can't actually do something, assume fun botches/exploding rolls made unrealistic lucky things happen."

Timothy Ferguson, recommended,

"Play style

Get your group to decide if they are going to do the suggested thing, which is that each story has one or two magi and companions, or the thing most troupes seem to do, which is that everyone just sends their magus. This matters, because it determines what role your magus will play. Is the magus going to be in charge whenever he is on stage, or is he part of a group of equals? Is he going to be the heavy artillery, despite not being from a combat-ready House, or is there going to be another magus bringing the fire, so that yours can specialise on something else?

House

Which House you pick doesn't matter, initially, but some bind your character development choices more than others. House Merinita and House Verditus have inner mysteries which use a completely different sort of rule system, and most Criamons are pacifists. I believe the best Houses for new players are:

House Bonisagus: pure magical researchers and diplomats. They can be researching pretty much any style of magic, and this gives them a reason to be out in the world discovering secrets.

House Flambeau: There's a philosophy behind it, but they love solving their problems by killing things and breaking stuff. Ars Magica can cause a sort of choice paralysis in new players. House Flambeau strips this away by essentially saying "Your options are the knife, the pistol, the grenade, or the flamthrower." Once the game rolls on there a lot about chivalry and flame mysticism, but as a new player, it's a simple choice.

House Jerbiton, which just lets you pick a minor Virtue in lieu of a House virtue: in the setting they also don't care if you later join another House. This is the one to choose if you don't want to make a big deal out of your choice for now.

House Tremere prizes obedience. This means your character will always have something to do, and may be provided with resources to do it. Sure, you follow orders, but so does James Bond, and he seems to enjoy his life most of the time.

Characteristics

Characteristics are a bad idea, and the game should not have them. As a magus, you'll feel the need to put Intelligence at a minimum +2, so your character is not the stupidest magus in the group. This means you are all making the same boring choice, and when Intelligence is required, you all make the same Knowledge rolls. This leaves you enough points to put +1 against any other two Characteristics. There are rules to get extra points by trading down your physical Characteristics, but ignore them on your first go around. Just wade through this.

Virtues and Flaws

Virtues and Flaws are ways to make your magus unique, but their usual effect is to make them more like their Housemates. You'll be given one free minor virtue based on your choice of House. Most of these you can safely ignore in your first game, although the one for House Bjornaer (turn into a specific animal at will) is useful and fun.

As a rule of thumb, a virtue adds +1 to your dice roll if it covers an entire characteristic, +3 if it covers and entire ability, and +6 if it covers a specialised situation in an Ability. If you can't find one you like, use this to just make them up and have your troupe approve them. Sometimes this is faster than wading through the book to find the precise name for what you hope to find. "I want to great fun at parties", for example, is a +3, even if you don't manage to decode it down into Ars-speak as a Knack in Carouse.

Just because you can choose a heap of Flaws doesn't mean you should. Virtues can be earned in-game, so there is no need to make your character a one-eyed, kleptomaniac with a determined enemy just to afford another Major Virtue. Pick Flaws you will enjoy having and that signal the kinds of stories you want.

Similarly, don't pick virtues because they maximise your killing potential unless you really want stories about your killing potential. Pick virtues for the fun, not the mechanical advantage. As an SG, I keep a copy of the VF list of each character, so I can make sure I hit those narrative marks.

The Magical Affinity virtue is the game's way of telling you it will give you a bonus if you pick a character theme. Take it, but not at the Art-wide level: choose a motif that's yours. This is far more important than most of the numbers on your sheet.

Spells

Pick spells you think would be fun to cast: your SG's job is to give you great opportunities to cast them. In roleplaying games, the GM sets the size of the creatures attacking you to suit the power of the player characters. It doesn't matter if you can deal +5 or +10 damage: that just means the enemy you are facing in the story looks a bit different. I'm not saying don't take combat spells: I'm saying that designing for maximum killing power is pointless, and you know its pointless.

Don't spread your build points across the Magical Arts. Pick a Form (a noun) and one or two Techniques (verbs). Don't choose Aquam, Auram, Imaginem or Vim. I love them, but they take a bit more getting used to than practical things like Herbam. A high enough Form will let you do minor magic in the other Techniques of that Form using the spontaneous magic rules.

My rule of thumb is cribbed from the Amber Roleplaying game:

always choose at least one attacking spell, one defensive spell, and one spell that affects your surroundings. Sometimes spells do double duty. It's great to have majestic spells: I loved playing a new maga who had Incantation of Lightning and a flight spell, but In Ars Magica, small spells get through magic resistance, or the diminishing effect of civilisation, better than powerful spells. Think about clever ways to use spells in the 10-20 level range.

Abilities

Don't get bogged down in Abilities. For new players I let them keep a pool of unspent points, and use them up as their idea of the character gels through play. Avoid spending 1 point on heaps of Abilities. Abilities are what your magi have servants for. Make big purchases in the Abilities you want to do cool things with during scenes in stories. Your character's already a superhero: you shouldn't care if they have 1 or 2 in their Area Lore skill..

I also have a "buyer's remorse rule". If you've spent points on something, and it's never mattered to your character, you can cash it back in and spend it one something else. Did you buy Artes Liberales 6 to look wise, and then find out you wanted practical skills? Take your points back. I personally extend this to spells and Virtues, but your troupe may vary.

Each ability gets a specialisation, which is a 1 point bonus in limited circumstances. Again, fill them in as you go, and switch them under the buyers remorse rule. Don't get bogged down on how to make sure you wring every advantage from the design phase.

Weapons

Most magi don't use them. You're a magician. You can kill people by waving at them for a minute or so. Even if your best combat spell just throws a rock, it's still better than a dagger: just carry some really pointy rocks. You have a bodyguard. Let them do the weapons while you cast spells.

Suggested stat block for a new magus:

Intelligence +2, +1 in any two other Characteristics, all others 0, which is human average.

Virtues and Flaws: You get a free one for your house, which you can often ignore in the beginning. Take a Minor Magical Affinity, and a Story Flaw, at minimum. Work up from there if you like.

Abilities: You get 165 experience points to spend here, but there are some compulsory buys. At minimum the game suggests (Native language (specialisation)) 5, Latin (specialisation (specialisation) 4, Artes Liberales (specialisation) 1, Magic Theory (specialisation) 3, Parma Magica (specialisation) 1. Your native language is a free, so that costs 90 points, leaving you 75 to spend. That's:

two abilities at a score of 3 with three at a score of 1 or

one ability at a score of 3, with three abilities at a score of 2.

five abilities at a score of 2.

If you already have a score of 1 in something because of a Virtue choice, then just have a 1 in something else, to refund the point.

Arts: you have 120 points to spend on Magical Arts. Chose one noun and one or two verbs.

It costs 121 points to have a score of 11 in one art, 10 in another, and 0 in the rest. I'd give you the point if it were my game. Alternatively, two verbs at 7 and one noun at 11 (with two freebie points).

Pick spells. You have 120 levels of spells. Spells are the fun bit. Since you are limited, don't browse the entire book. now: just read the bit that matches your technique and form combinations. If you are specialised as above, each spell's maximum level is Technique+Form + 8. Technically it's 9 with a relevant Magic Theory specialisation. That means if you have only two arts, and a relevant MT specialisation, your maximum spell level is 30. If you have three arts as above, the maximum level is 26."

• Ovarwa, suggested:

"Limit the number of AM books you use, severely. You can run your game just fine with only the core rules, and you might be best off doing so. You might think you absolutely need RoP:Divine because, you know, Crusades. But you don't. You might want Cradle and Crescent, but you really don't need that either. If you hae a Bjornaer in your group, you might need the shapeshifting rules. Start with more than one book, if you want, but be ruthless about what you don't want to include.

Encourage players to make characters who excel at some kind of Hermetic magic. This echoes Timothy's advice. I have posted here about how pumping a single Technique, a single Form and a single Focus really helps start things off. Forum search will probably find this. Simple, effective. Promotes spotlight sharing among players. But there are other ways to go.

Take a personality Flaw. Take a Story Flaw. (For players.)

Don't be afraid to max out virtues and flaws. (Slight disagreement with Timothy on this.) If there's good stuff you want, go for it. Remember: The magic system is a renowned feature of AM, so starting off being really good at magic makes that feature shine brighter.

Do not make covenant design part of play, but start with an established situation, the stage on which you expect much of your campaign to be set. In dramatic terms, the first session should start with Act II of the overall story arc. So if you want the game to be about fighting the crusade, start at the first fight. If you want it to be about defending holdings won in the crusade, start with the holdings already held. It's tempting to start earlier, but it is usually a mistake.

Echoing Timothy, characteristics in AM are a problem. But, rules. Magi should have at least an Int of 2, probably 3, and a Stamina of at least 1. (So if you don't trade away other characteristics, you can have Int3+Sta1 or Int2+Sta2+X1.)

Corpus is probably the best Form, at least for a beginner. Someone should have it.

Favored Houses, assuming you *don't* use the HoH supplements:

---Bonisagus, Jerbiton, Flambeau: All the reasons Timothy describes. Jerbiton might be especially interesting in a Crusader game.

---Tytalus: Makes a fine rogueish character, toppling applecarts, getting into trouble, resisting temptation (or not).

Houses worth avoiding, especially if you don't use the HoH supplements:

---Verditius, Merinita, Criamon: They are a bit strange, their magics don't really shine unless you have the supplements, and some of their HoH rules need revisiting.

---Guernicus: Until everyone has a very solid footing, these guys work best as NPCs.

---Mercere: Most are not really magi. Best as NPCs.

Decide what kind of characters you want and don't want in the game, and let your players know. Maybe you don't want to deal with pagan, Muslim or Jewish magi in your Crusader game! Maybe you do want every magus to have a tie to his noble family. Etc.

Simplified covenant design: Magic Aura 3. 10xp for anything a magus wants to study, unless plot gets in the way. 5 pawns vis per year per magus, unless plot gets in the way. Otherwise describe the covenant exactly how you want it to be. Give the covenant a few big and small problems that it has, that cannot be solved with anything already described (if it can, then it's not really a problem) but that are not inconsistent. Of course, if the game is about the journey, there won't be much of a covenant; AM does not handle this well.

After a session or three of play, let players utterly rewrite their characters if they want. Maybe retcon, rollback or redo other things too."

Ben McFarland offered:

"1. Start with the corebook, and absolutely nothing else. Well, maybe except wikipedia and folk tales about the lands and times you are going to explore. In fact, if you start with grogs (see 3, below), you can begin by ignoring a sizable chunk of the corebook -- namely chapters 2,6,7,8,9, which include some of the mechanically more complex portions of the game.

2. Talk with your players about the type of game they want. Ars magica can support a very, very wide variety of games, themes, moods etc. and it's best if everyone is on the same page. Do you want political intrigue? Lots of gritty fighting as mercenaries/bandits/holy knights? Investigation stories "Name of the Rose" style? Supernatural horror?

3. Ars Magica differs from most other rpgs in that each player runs several characters, occasionally at the same time. This makes for a great canvas in which very deep stories can unfold. And while it might seem a source of complexity, it does in fact give you a great way to start simple.

Start playing the first two or three sessions with just grogs: these are minor, expendable, quick-and-easy characters. I'd say, start with one per player, and let each add/move to a second one after a session or two. Grogs are great to give you and your players a handle on the pacing and basic mechanics of the game, and strongly focus your character creation, before you commit yourself to companions or the significantly more complex magi. Note that these grogs need not be associated with magi or covenants: they could easily be an intinerant monk with the mind of a great detective; a noble but disillusioned crusader knight; a minstrel whose music can enchant damsel and beast alike; a berserkr and skinchanger from the far north; the greatest archer in the land; a scoundrel and gambler with the devil's own luck but a weakness for pretty faces; a beautiful peasant lass who is really the daughter of a faery prince and can see into the future.

4. Do not spend significant time creating the background before you begin. After choosing the type of game you want (see 2 above), and briefly researching the locale and time on the web (including juicy legends), make a bunch of grogs with some reason to be together (see 3), and drop them in the middle of the situation. As the story unfolds, and new characters are brought into the game, the background details will eventually fill up on their own. Note that "as the story unfolds" can mean "after forty in-game years, when the secret that the characters thought to have buried in their youth returns to haunt them in their old age": Ars magica is great for century-spanning games."

Advice: Introducing New Players

Discussion threads on the Atlas Games Ars Magica forums

• Introducing New Players
• How have you introduced new players to the game?

Highlights:

• Heaven's Thunder Hammer suggested:

1. Have them just make a magus or companion level character

2. Skip grogs altogether

3. Don't require 10 points of flaws for 10 virtues.

4. Keep art selection simple and specailised.

5. Pick flaws first.

• Ben McFarland offered the following advice to the discussion thread:

" So I ran a game at Garycon with all new players. I'd spent about an hour beforehand, discussing some elements of the setting-- mainly the Order of Hermes and a bit about the realms.

We had one ringer in the group-- which helps, although I could have filled in this role, if necessary-- and he played one of the two magi. The other was a complete newcomer.

I reinforced, several times, that all roles are just d10 + Characteristic + Ability (+ Sometimes modifiers), and we stuck with that for nearly everything. By about halfway through, they were cruising on that. We had one exploding roll actually hit 41, the second highest I've ever seen, and from a grog again, too. We had two botches, which were fun to play out.

The table had two magi, three companions, and two players running grog turb sergeants/a captain. They saw how all the components could interact, how we could cover extended periods (the adventure took place over a few days followed by a few weeks travel), and how not every encounter needs to be resolved by punching in the face; I even had the grog turb captain itching for violence.

They did a great job playing with the magic-- although some of the magi's sheet is currently in a form of "Do you want to cast spontaneous spells that involve X or Y?" which I may revise to include actual stats, so a ringer can easily work with it.

All of the players ended as fans, and said they'd definitely play again. One player was going to pick up a few books to try at home.

I also played in a game at Gencon, where we were all magi. We had four out of six players who were veterans at that game, but the new players came online pretty quick. Hopefully, we'll get that adventure in Sub Rosa #21. We had some grogs along, but they were mostly handwaved by the GM, IIRC.

I think having all of the roles evident at the table is a good plan, and a story that involves all of the roles. We were playing Timothy's Escape to the Tin Islands, which I've run many times for tables of mostly-new players (usually no more than one veteran player) and done some edits to for how I play it. So far, most tables approach the different parts of the first act differently. I've only had one group get to the Tin Islands, and they only got a session into that act. We had to quit with the first appearance of the main antagonist.

I use English verbs and nouns for the Techniques & Forms, and try to repeat back the Latin to get people accustomed to using them. I've got my 12-year old on board with the magic system after about a half hour of review, so most players should be able to handle it. The scenario definitely helps. I think having one which actively involves all the roles and has a certain level of tension and urgency helps. I think involving the whole covenant, including the covenfolk helps to show the community element of the game. I think starting them in a familiar, urban environment helps, then transitioning to a bit more fantastic environment helps."

Storyguide Advice

Where to set your Troupe's saga?

• Which Tribunal to choose advice on which Tribunal to set your saga